Guitar Aerobics: A 52-Week, One-lick-per-day Workout Program for Developing, Improving and Maintaining Guitar Technique Bk/online audio

Está muy ordenado el manual, con ejercicios diarios durante toda la semana: trae ejercicios para cada día de la semana.Este manual está enfocado a la práctica con púa o guitarra eléctrica, pero también se puede utilizar para ejercitar los dedos en guitarra clásica (usando los dedos pulgar, índice, medio y anular de la mano derecha).Está muy práctico y ayuda mucho a aprender y/o reforzar la notación musical en diferentes posiciones del diapasón, ya que además del pentagrama incluye la tablatura y eso ubica el lugar exacto donde se ejecuta la nota musical.Desde la primer semana incluye alteraciones musicales y construcción de escalas.Considero que sí debes tener algo de bases de teoría musical o contar con un maestro, pero si ya conoces algo de notación musical, este manual está genial para guiar la práctica.En mi caso, ya terminé las primeras lecciones de Sagreras (para guitarra clásica) y eso me permite cierta flexibilidad, conocimiento de escalas, acordes, arpegios y lectura de notación musical.Considero que me va a ser de mucha ayuda para lograr coordinación y precisión.

since a year i was searching a exercise book & this book is wonderful, well for beginners some of the exercise are tough

I like the approach that Troy Nelson takes. Allows me to be a bit less disciplined (read: lazy) in my approach while achieving excellent results with easy to digest lessons. What more could I ask?

1 exercice par jour, 7 styles différents avec difficulté progressive ; de quoi bien progresser sur la technique au médiator et sur les bends...

Das Buch bietet 365 Übungen für Gitarristen, so dass man theoretisch ein ganzes Jahr lang üben könnte. Dabei enthält das erste Drittel (bis Woche 18) Übungen für "Anfänger", das zweite Drittel (bis Woche 36) Übungen für Fortgeschrittene und das dritte Drittel (bis Woche 52) Übungen für Geübte. Dabei ist jeder Wochentag einer bestimmten Technik-Kategorie gewidmet (Alternate Picking, String Skipping, String Bending, Arpeggios, Sweep Picking, Legato, Rhythm).Die Übungen machen Spaß und festigen nebenher auch noch Tonleitern, Drei- und Vierklänge, Akkordzerlegungen, schnelles Umgreifen von Akkorden usw. Audiobeispiele für alle Übungen sowie Rhythmustracks in jeweils 8 Geschwindigkeiten stehen zum Download zur Verfügung. An dieser Stelle kommt aber auch mein Kritikpunkt an dem Buch: Der vorgesehene Plan mit einer neuen Übung pro Tag und vorgegebenem Tempo macht nur für Geübte Sinn, die die Techniken bereits einigermaßen beherrschen und wissen, wie man sinnvoll übt. Als Einsteiger sind die Übungen zwar auch sinnvoll, aber man sollte zum einen (idealerweise) einen Lehrer haben, der einem die Techniken richtig erklärt, und zum anderen den Plan an das eigene Können anpassen. Also evtl. am Anfang auch mal einen Tag wiederholen, eine Übung nicht bis zum angegebenen Maximaltempo steigern, einzelne Wochentage erstmal überspringen, Noten auf dem Griffbrett lernen, etc. Kleines Beispiel: Gleich am ersten Freitag übt man, die Dreiklänge der G-Dur-Tonleiter auf den Diskantsaiten (also den hohen drei Saiten) mittels Sweep Picking zu spielen. Zieltempo ist 112 Schläge pro Minute, jeder Akkord wird als Achteltriole gespielt. Das ist für einen Anfänger schon sehr sportlich und kann schnell zu Frust oder unsauberer Technik führen.Hat man die Basis-Techniken aber einmal gelernt, bauen die Übungen sinnvoll aufeinander auf und man kann lange (im eigenen Tempo) mit dem Buch üben und sich verbessern.

Final update: after 6 months of working through this book I can say it have improved my playing a lot especially when used in conjunction with fretboard freedom Aerobics and Rhythm Guitar 365.One thing that is clear is that this book can and should be regularly revisited and practiced. I think it will continue to be a fixture in my practice regime as many exercises are excellent warmup exercises.My right hand technique has improved leaps and bounds. Even after months I don’t think I have mastered the material.Week 36 update: 3/4 complete and down the home stretch. As you go through the second half, the exercises do get more difficult, but remain a steady progression. I have not gotten stuck on any particular lesson that I couldn’t at least do 90% speed after 30 minutes of focused practice. Well, except for sweep picking. The great thing about this book, is just when the exercises start to get familiar, they change to something new. So there are similar exercises, which actually helps to integrate what you are learning.Week 26 update: I still really like this book and recommend it. The difficulty of the exercises does get progressively harder. But it’s done in such a gradual manner that you will barely notice if you did each exercise as directed. If anything it became a little easier by the time I got to week 26 since I started as beginner. I have noticed that my bends have become more accurate, and alternate picking string skipping and Travis picking have become noticeably better. Sweep picking and tapping are not as advanced, but that should get more attention in the second half. This book is really focused on technique and right hand practice which is exactly what I wanted.While each exercise is only two or 4 bars, there is a lot going on in each exercise. I would recommend only doing 1-2 hours a day max, and one or two exercises a day. That is more than plenty. Since this book is about building skill and technique as opposed to information, taking it slow and really mastering each exercise is key to getting the most out this book. I would only memorize those licks that you want to integrate into your soloing bag of tricks.I love the approach of this book and the authors other 365 series of books: Rhythm Guitar 365 and Fretboard Freedom. All three books could form the basis of a great daily practice routine.What makes this book and the other 365 books great is that they give you something new to work on every day. This is a great way to engage in deliberate practice and improve your play dramatically. You don’t have to think about or plan your routine, you just need to open the book and go.Guitar Aerobics is an excellent book to really get your technique chops in order. You will see Your picking technique improve dramatically and become intuitive as you work through this book.This book has a rather focused approach on what is covered and I love it for it. It is useful for beginners through intermediate players. I think even advanced players will get a workout out of the latter lessons. I would say it is the easiest of the author’s book in this series. But he gives you lots of reputation to really get the knowledge down cold. You defiantly get your money’s worth. It progresses at a very manageable pace, but If you approach the book as intended every day you have a great way to warmup a daily practice regime.The audio samples are good and very helpful to understand what you need to play.If you really want to supercharge your guitar progress I recommend getting all three of his 365 books and do a lesson or two a day from each for a year, I guarantee you will see dramatic results. Will you be Steve Vai? No, but you will be able to taller Steve Vai’s famous 10 hour practice routine.Don’t skip the audio files, use them to really see how well you are playing.

Today I finish Week 6 in this book, and I honestly have only good things to say about it. Well--only good things at the end of it all, that is.* Its day-by-day structure helps easily-distracted players like me keep a schedule. It will quickly become useless if you miss days, skip exercises, or try to use it irregularly. With that in mind, I've been able to stick with it every day, which keeps me playing everyday. Quite the feat. You COULD try to use it as a source for guitar licks, but that's not what this is meant to be and there are better books for that.* If one's serious about using this as the skeleton to their practice method, as I have, you actually have to develop an advancement system on your own. They don't provide one. You have the daily exercise in notation and tab, a couple short paragraphs on what it's teaching and a quick tip on how to properly play it, or how to get a little more out of it (such as switching up the picking style, etc.), the bpm speed range that the rhythm CD will provide, and a couple other small tidbits of information. Unless you're an extremely gifted player, you're not going to master even the first lick at its top speed of 112 bpm on the first day. You need to keep coming back to it for a while. Also, by the time you get to the first Friday's exercise, there's no way you'll master it the first day--I still goof it up. Plus, rushing through each one to max out the speed is not useful. You need to spend time with each one at slower speeds before cranking up the metronome. Such is basic practice knowledge. It took me a bit, but I developed a plan of attack that I like. I start each new exercise at the slowest recommended staring speed, so far 40 bpm in every case. Once I've practiced it for a while and feel that I have it down at that speed, I bump the metronome up +10 bpm to 50, and move to yesterday's exercise, which I did yesterday at 40. Once I have that down at 50, I go +10 bpm again to the day before yesterday's exercise, which I did yesterday at 50, and so on, all the way up to 10 bpm past the top recommended speed for the exercise a little over a week ago. On days when I don't have much time, I'll do my best to just quickly learn the new exercise so I can practice it more at 50 bpm the next day. Thankfully I've only needed to do that a couple times. At first I struggled with "putting away" the much older exercises when I get so far from them, but was able to relax when I reminded myself that . . .* Each day of the week is always the same technique area. Monday is always alternate picking. Tuesday is always string skipping. Saturday is always legato (hammer-ons, pull-offs, slides). Etc. In addition to that, each new week's exercise builds on or expands the previous week's, in most cases. I was actually getting frustrated with it at one point because of that. How many legato sequences can you build out of the same Am pentatonic scale? But then one week, it switched up dramatically enough that it felt new again. This at first seemed to me like lazy writing, but I changed my opinion. It is SO important that it is done this way. It's baby steps. Even advanced players need baby steps with new stuff and with mastering new techniques. Also, this helps my personal practice approach to the book--since, for example, this Thursday's arpeggio exercise is building yet again on the same ideas from the Thursday exercise from 2, 3, 4 weeks ago, I don't need to keep practicing those ones. I'm slowly building the complexity, which means I'm able to fly through the old ones without hindrance. With this slow build, however, keep in mind . . .* There are a LOT of exercises here. If you stick with this and actually do this over an entire year, it would be impossible for it to not improve your playing. That's not because the book is magical or something, or so amazingly clever, but because to do so means you're practicing regularly and advancing slowly but surely. At the start of my sixth week of this book, I was getting a little frustrated that I'd been at it for seemingly so long but so little progress in regards to the complexity of the exercises had been made. So I took some time to finally put both the rhythm CD and the exercise examples CD onto my iPod for easy access. Well, I had to type out and name all 53 tracks on the example CD, and got reminded about how many exercises there really are. Today I do exercise 42. Of 365. My weeks aren't even in double digits yet.So in the end, this is a great book if you use it exactly how they suggest. Don't make it your only book or source--be sure to throw in some scale sequences, chord progressions, exercises to memorize the note structure of the fretboard, music theory study, and get some tab or something for some songs you like, too--but this book can easily be your daily motivation.==================SIX MONTH UPDATEToday I started week 27 of 52 in Guitar Aerobics. Yes, I've stuck with it 100%, and my opinion has remained absolutely the same as it was four and a half months ago. The only thing that has changed is my personal advancement system that I described before, which is now a week-by-week system where I perfect all seven exercises over the seven days in a given week, using both a metronome and the provided drum tracks, and then come the next Monday I start with seven new exercises and do the process over again. These daily exercises keep me immersed in a variety of techniques and genres and regularly challenge me with stuff I wouldn't have thought of on my own--and more often than not, with stuff that I wouldn't have ran into any other way--and my focus is form and technique rather than getting the exercise to "sound right." Not only has my playing noticeably improved, but I've developed new skills as well, my personal favorite being hybrid picking. I can say with absolute certainty that I never would have tried hybrid picking had it not been for this book.Again, let me reiterate that my satisfaction and success with Guitar Aerobics is not because it's the most brilliant guitar book ever written or anything like that, but instead because it provides the core of the daily motivation that I lacked in previous attempts to maintain a practice schedule (in that the book becomes pointless once you start being careless about keeping up with it). It's not flawless. I do have a few gripes, but nothing that ruins the book and nothing that I'll list so as to avoid leading anyone into opinions they might not have had otherwise. I'll do a final update again in six months. Until then: If you are looking for a guitar book with lots in it, a wide variety of things to learn, and a structure that makes it easy to keep a schedule, then you certainly can't go wrong with this one.==================FINAL UPDATEUnfortunately I cannot hold my head high and say I made it through all 52 weeks. I got to week 44 and stalled in light of life and frustration with the monotony of this book and finally, after six weeks of not being able to stick with it anymore, put it away. I said in my last update that I didn't want to list any gripes that I have in fear that I would influence someone else to have those same gripes, where they may otherwise not. Well . . . I'll loosen that rule up a little in order to state what I think is a valid "heads-up" to anyone who sets out on the same quest as me: brace yourself for a lot of mind-numbing monotony; like, more than you expect. For example, every Friday is a sweep-picking exercise. You'll learn that there's a five-exercise (or is it seven?) cycle that gets repeated throughout almost the entire book. After about 25-30 weeks of this, it can become too much to bear. The authors fall back on this repetitive crutch for several other days of the week, too (though Fridays are by far the biggest place for it). This doesn't ruin the book--after all, it's about getting better at guitar and not about entertainment, so monotony is part of the deal--but I think knowing what you're in for a little more might help one to weather more of it than I eventually could.This is still a 5-star book in my opinion, though. As I've stated before, without this book providing the daily motivation, I wouldn't have advanced to where I am on guitar nearly as much. I had a solid 7-8 months of 90 to 180 minutes of daily practice largely due to using this book. I'll take it back out eventually, too, and maybe try to advance through it a different way or a different pace. It's by far the most important guitar book I own.