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Audio-Technica ATH-M70X Closed-Back Dynamic Professional Studio Monitor Headphones

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$299.00

$ 99 .00 $99.00

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About this item

  • Tuned for extremely accurate reproduction and carefully crafted using key metal components for lasting durability
  • Proprietary 45 millimeter large aperture drivers are tuned to accurately reproduce extreme low and high frequencies (5 to 40,000 Hertz) while maintaining perfect balance
  • Ideal for studio mixing and tracking, FOH, DJing, mastering, post production, audio forensics and personal listening
  • Circumaural design contours around the ears for excellent sound isolation in loud environments
  • Equipped with 90 degree swiveling earcups for easy, one ear monitoring


The latest addition to the critically acclaimed M-Series line, the ATH-M70x professional monitor headphones feature proprietary 45 mm large-aperture drivers and are tuned to accurately reproduce extreme low and high frequencies (5 to 40,000 Hz) while maintaining perfect balance. They are ideal for studio mixing and tracking, FOH, DJing, mastering, post-production, audio forensics and personal listening. Crafted for lasting durability with space-saving design, the headphones provide excellent sound isolation and are equipped with 90 degree swiveling earcups for easy, one-ear monitoring.


Giba Reys
Reviewed in Brazil on May 3, 2023
Fone espetacular! Perfeito para mixagem de mesa de som. Som cristalino e com ótimo grave.
あるメロン
Reviewed in Japan on December 12, 2023
普段、古いオーディオですが、大型スピーカーで聴いています。マニアではありません。ヘッドホンが必要になって、購入しました。3000円くらいのヘッドホンであるとシャカシャカという音ですが、大型スピーカーと同じ音色でなってくれました。音の洪水のキングヌーのThe greatest unknown も十分聞けました。据え置き型アンプに繋いでいますので、スマホに繋いだ場合はわかりませんが。奮発しましたが、これなら大満足です。
Jean S. Sullivan
Reviewed in Canada on February 24, 2022
I went from Corsair Virtuoso to this for gaming. The stereo image is wayyyyyyyyy better i can now pinpoint everything with precision. They are pretty much middle range for sound quality, they have some bass and some trebel but not too much one of each other. The ear piece also fit better my giants ears. Really recommanded!
Emi
Reviewed in Italy on December 18, 2020
ho scelto questa cuffia per sostituire l'adorata AKG K340 e per destinarla specificatamente all'ascolto di LP di musica classica e strumentale. volevo una cuffia dettagliata e brillante dove trombe e violini ti fanno vibrare, dove distingui un triangolo e un ottavino e dove le percussioni trovano il giusto spazio. ho guardato i grafici della risposta in frequenza di una decina di cuffie e ho scelto questa. l'ho provata in due sessioni di tre ore con vari LP di musica classica e anche col CD di J M Jarre Oxygene e una raccolta su CD dei Blondie ricordando la squillante voce di Deborah Harris: la cuffia mi ha soddisfatto appieno! è minutina e dall'aspetto "fragilino" ma è ben fatta almeno con le staffe e le guide d'alluminio, i padiglioni hanno cuscinetti bassi ma morbidissimi, ottimi i cavetti in dotazione, insomma per il mio gusto dico costruzione soddisfacente e soprattutto un suono completo, abbastanza dettagilato e brillante, mai affaticante, speciale per la musica classica e strumentale, magari per le "grandi voci" ma non per gli amanti dei "bassi potenti". al momento la uso con giradischi Audio Technica AT LP5 con testina AT VM95SH collegato all'ingresso phono dell'integrato Yamaha A S301 mediante cavetti Monster Cable: sembra che dalla testina alla cuffia gli apparecchi siano stati costruiti uno per l'altro. per dirla in due parole: cuffia comoda che suona ottimamente , brillante e dettagliata almeno per la sua fascia di prezzo.
Ricardo Pablo Olivares
Reviewed in Mexico on November 12, 2018
Dudé mucho para comprarlos pero los vi en Amazon Mexico a un precio por debajo de lo que normalmente cuestan y, eso aunado a la promoción de meses sin intereses, me animó a comprarlos. En este momento los tengo puestos y procedo a dar mi reseña por puntos:1. Estos audífonos los compré para mezclar y masterizar de manera que pudiera escuchar más detalles que con los monitores que tengo. Son muy claros, puedo escuchar detalles, hiss o ruidos que antes no oía a la primera; ahora puedo distinguir con más detalle los pequeños cambios que aplico con ecualizadores. Como nota, escuché muchos discos de mis artistas preferidos y escucho mucho más detalle y equilibrio en todas las canciones.2. Escucho mayor profundidad sonora cuando mezclo.3. Si aplico demasiada ganancia o corto en algunas frecuencias al ecualizar, lo noto de inmediato. Tardé como dos semanas para acostumbrarme pero ahora me he adaptado totalmente.4. Estos no son audífonos para "escucha normal" por lo que puede que se sienta que no hay bajos o graves tan acentuados como en audífonos comerciales. Pero sí hay una representación mucho más fiel de lo que estás grabando y mezclando que en auriculares comerciales por lo que los cambios que aplicas en uso de preamps, ecualizadores y otros efectos los notas con mucha claridad.5. Los primeros días me resultaban incomodos en mi oreja izquierda pero esto fue desapareciendo a las dos semanas de uso. Actualmente tengo que tomar pequeños descansos después de mucho uso pero, aún así, son mucho más cómodos que todos los audífonos que he usado. Y sí llega uno a olvidar que los trae puestos, como decía una reseña que leí en este sitio.6. Aíslan de ruido externo de forma excelente y sólo cuando toco junto a una batería puede meterse un poco de sonido si el baterista le da fuerte pero, a excepción de eso, aíslan muy bien de ruido externo.7. Los tres cables con los que viene me han parecido muy útiles.8. El diseño de estos audífonos es algo que me agradó mucho pues cuidaron cada detalle de su construcción, su diseño, el empaque. Recibí algo de gran calidad.Resumen: Los recomiendo sin pensarlo, los volvería a comprar y me sorprende el detalle del sonido y canciones que escucho a través de ellos.
Phil_Pag
Reviewed in the United States on May 17, 2016
When I first got these headphones in, I was a little taken back in a confused way...A little back story; I've been a tracking and live musician for years, but have only recently (1-2 years) gotten into engineering and producing on my own. So I am familiar with accurate (flat) sounding speakers, in-ear monitors, etc.. That being said, I didn't have a ton of experience with studio headphones since I have always used studio monitors 100% of the time, unless I'm actually the one tracking, then I use my in-ears or Ultra-phones for sound isolation.Anyway, I put these on the immediately the day I got them and was almost unsure on how I felt about them. I played every genre of music through them from Miles Davis stuff to Underoath, and everything in between. The thing I immediately noticed about them, however, was how intricate they are. I could truly pick out the finest detail of the music, from very very light snare drum ghost notes on a D'Angelo record to extremely buried guitar or keys parts on an Underoath track. However, I was still thinking that I was missing some low end, and that they were possibly a little to crisp for me. Since these are being used for listening to music 80% of the time, with the occasional accuracy check on mixes, I thought I would want something a little warmer.So after reading and watching a ton of reviews (most I had already read before picking up the M70x) I ordered a pair or M50x's. I will say, first impression, I didn't like them any more or less than the M70x's. I immediately noticed that the M50x's had a SLIGHT boost in the low end, a little boost in the highs, and a little dip in the mids, but overall I didn't think they were EXTREMELY different. After about an hour of listening to the M50x's, I went back to the M70x's for A/B purposes. That's when I immediately realized that (In my opinion) the M70x's are so much more accurate and clear. They aren't bloated in any way and each frequency range from the low low's to the highest of highs (that the human ear can hear that is) are very accurately reproduced. I felt that the M50x's are a little to thin in the mid frequency range, the highs don't seem as clear, and the lows (while more pronounced than the M70x's) where not as clear either. I then started listening to the same tracks back to back on each pair, and realized that the subtle parts I could pick out on the M70x's either weren't as clear, or just plain non-existent. I kept going back and forth between headphones on the same tracks and realized that each track was being represented WAY more accurately on the M70x's.All-in-all, just to be truthful, if I had purchased the M50x's first, I probably wouldn't have the same opinion about them as I do now and the differences are very subtle AT FIRST. And even with all that being said, I still think the M50x's live up to their reputation (for the most part). But these M70x's have opened my ears to so much detail in the music that I have been listening to for quite a while that I just don't think I could go back. It happened so quickly that I returned the M50x's the same day... I'm not a true believer in "burning in" headphones, so I hevnt gotten 100+ hours of use out of them. And I will say that It probably took a few days of listening and some comparing for me to notice how much I liked these headphones, but now I absolutely love listening to everything through them. They have really made me realize how bloated the bass is and how much mids are missing from most headphones out there.Oh and the M70x's are super comfortable, where as the M50x's squeeze your head pretty tight and after a while, can actually start to hurt. Design wise, I'd say they're about the same. Both are pretty classy looking with a basic, straight forward studio design.Last thing, I purchased a headphone amp for this and wound up returning it too. Both models really don't need that much power to run the drivers. Even from an iPad or an iPhone. They sounded about the same through the headphone amp as they did directly from whichever source I plugged them into.There may be better or same quality headphones out there for the price. But I am extremely happy with these M70x's.
Garland Cary
Reviewed in the United States on July 1, 2015
As noted in my review of the ATH-MSR7, I expect a lot from headphones. As a kid, my family didn't share my affinity for classical music and film scores, so I got used to listening with headphones–first my Dad's Soundesigns, then eventually my own brand new Koss Pro4x. In the 32 years since, headphones have remained my preferred way to listen to music when I'm not socializing. I've simply grown to love the detail and intimacy headphones provide, which I've not experienced with speakers and amps costing tens of thousands of dollars. Since 2009, I've gotten progressively more interested in getting the best possible sound from both my home and portable gear. At home, I listen through the headphone jack of an Onkyo A/V Receiver (can't remember the model, sorry) that plays remarkably well with my favorite open back headphones, the Oppo PM-1, bringing just the right amount of high frequency presence and articulation to otherwise fairly lush cans. I love the sound, and have managed to set the EQ on my Astell & Kern AK100II to yield virtually the same sound, so I can enjoy it on the road, if need be.But it's rare when I take the PM-1 out of the house, despite being easily driven by portable devices–its open-back design simply isn't practical for noisy environments or hushed ones where others might not want to hear my music. So, I've been searching the past two years, fairly intensively, for the right closed back portable headphones. Many have been tried and rejected, more often than not because of poor build quality (creaking and microphonics drive me nuts, especially in expensive cans made with luxury materials, such as the B&W P7!) or unbalanced sound. I'm not a fan of bloated bass or sibilant or artificial-sounding treble. With Momentum (original, 2.0 and Wireless), HP50, M4U1, P7, AH-D600, MDR-1R, SRH1540, Crossfade M100, PM-3 and even Audio-Technica's own MSR7 having failed to strike the right balance, I was prepared to be disappointed by the ATH-M70x.Imagine my surprise, then, to find they are supremely comfortable with creak-free build quality! Period. I can wear them for hours and almost forget they're on my head. Don't get me wrong, they don't LOOK as premium or appear as well-finished as do the MSR7s, but in practice, they are far superior.Okay, so kudos to Audio-Technica on getting the build right! But have they, then, compromised on sound to keep the price down below $300 street? Not at all! Simply put, these are the flattest-sounding headphones I've used since my old Sony MDR-V6–deep, tight bass that's punchy when it's supposed to be, light and nimble when it's supposed to be; energetic mids in perfect balance between the bass and fast, detailed, non-fatiguing treble. Great soundstage, too! Almost as wide and deep as my admittedly not-so-well-imaged-for-open-backs PM-1s. Wow! I love the detailed, balanced sound these deliver. I'm sure I could EQ them to be a bit warmer, to match my PM-1s, but why when that's clearly not their intended purpose. I'll keep my Oppo PM-3 portable planars for when I need/want warmth on the go. But I have a feeling I won't be choosing them over these fantastic M70x very often.
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