Bought this to replace the Maschine MK3 I was using as an audio interface. In short, I wanted to free up the desk real estate and the footprint of the Volt 176 is a fraction of the size of what I had been using. Build quality is great. Sound quality is great too, with my headphones and monitors reaching levels they hadn't reached before. The unit is aesthetically pleasing and easy to use. Highly recommended.

I use exclusively UAD Apollo in my production studio. Multiple UAD Satellites, X8P, X16, and Twin X - all cascaded together. I wanted to use an external interface with my 2024 iPad m4 and this was the perfect choice. Literally plug and play. Plugged it in, and it just works. Input and output channels show up instantly in any iPad DAW (I use Cubasis)I'm a UAD guy anyway, but this interface does not disappoint. I've you've never used UAD gear, the VOLTs are a great way to get into their lineup without the cost of the Apollos. The VOLTs do not have the same functionality as the Apollo lineup - cascading, software routing, plugin and DSP, etc are not part of the VOLT series. But if you are looking for a solid interface with great sound, excellent design and insane compatibility with iOS for the iPad or iPhone, the VOLTs are amazing. I highly recommend UAD gear - and this one lives up to the UDA name.

Sello de calidad Universal audio. Es muy buena

excellent sound. perfect for practice in the house, and you can do better things with less money using pluggins. For me it does not have high lattency, I'm using a MacBook Pro M1 2021 and runs without problem any stand alone pluggin.

bought this audio interface to record my guitar. setup was easy, comes with a slew of free software and tools for music production. interface is intuitive. great value purchase

Nice little piece of equipment

Incrível!!! O produto vem bem embalado e protegido, entrega antes do prazo, porém ouve um pequeno atraso no envio por falta de estoque ( fui avisado posteriormente). Mas muito satisfeito com a aquisição, o pré é impressionante. Super indico pra home estúdio. Não vai se arrepender.

Using this is a dream. One button press and I'm ready to record.Compressor:The compressor is killer! - It not only makes the vocals sound fuller and easier to understand, but it effectively works as a limiter too. So this means I can get extra loud or extra quite with my voice, or move closer and further from the mic - and not have to waste time in editing fixing the volume levels. Amazing for my uses and works far better than Elgato's attempt at this.None of the reviews I saw mentioned this but it's in the manual - you can adjust the compressor via the gain knob. - Basically the compressor sets the top limit and the harder you push your gain the more you push your quite stuff into the loud stuff.In other words, this thing is freakin fantastic. I can get compression that's extremely mild - all the way to pretty insane compression - depending on use/preference.Note:(Please note that while I'm very knowledgeable in audio and I've been working in audio/video for over a decade, I'm still not an expert audio engineer and I have not used a professional standalone compressor unit (other than software plugins, but there too I am not an expert). So I can't say for sure exactly how this stacks up to the big boy stuff and I have not compared them side by side.)Price:Price feels a little steep especially if you want multiple channels. But for a professional device this is worth every single penny. All my issues from my four previous interfaces have gone away. And this kicks the back side of any USB mic that I know of (except *maaaaaaaybe* the Rode NT1 5th gen but that doesn't fit my uses and of course it's limited to one built-in mic)Phantom power:Small complaint is that for my main mic (the insanely good Earthworks SR117) I have to switch on phantom power each time I use this interface. For example if the computer goes to sleep then the Volt might turn off for a few seconds and the phantom power resets to the off position.This IS good for safety with some rare mics that can be damaged by phantom power. On most modern mics this isn't an issue but it's a nice safety feature to have anyways. When it's on there's a pretty red light which is nice.But since the default is phantom power off every time, it's happened a couple times where I started troubleshooting my mic and cables etc before realizing this was the issue. But it's a single button press to turn on so as long as you're aware of this then it's hardly a problem. And anyways this only applies to powered mics.There's other quality of life things like the when enabling phantom power it goes silent for a few seconds so your mic doesn't cause a pop. Very nice!If I'm not mistaken all the other settings are remembered after power off. Most importantly all the gain and volume etc since those are physical knobs.I have the single input version of this Volt as that's all that was in stock at the time.Meters:The audio meters on this are better than all my previous interfaces but still not enough different levels for what most pros would want. But with the awesome compressor it's really not an issue because I can't peak anyways. - so for my uses I'm anyways adjusting based on how the compressor sounds and not based on any visual indication.If you don't need fancy effects running on your interface (other than the awesome compressor) then I don't know of anything better. Stunningly well made device.Alternatives:I was considering the Rode interface since it has a ton of effects and adjustments but looking at Amazon reviews there seems to be issues with the device failing so for now that's a no-go for me. And it's not exactly cheap (500 ish). Same for Lewitt's interface. Looks like they need to work on reliability.Conclusion:In conclusion. I love it. 100% recommended. And it's pretty too. Nice eye candy for the desk. The lights and buttons on it look exceptionally good! Not just cheap LEDs.Photo:Photographed in my desk drawer where it lives in front of my microphone switcher (which is both for testing/reviewing mics and for switching between different recording locations where I have different mics permanently set up). This keeps my desk clean and my devices safe from my cats.Compatibility notes:Mac:Works great on my Mac. Plug and play.Small issue is that with the compressor on it's a bit too quiet when recording into Final Cut. There's probably a solution to this but for now I just make it louder before publishing the video (which takes a few seconds to do).Camera:For use with a camera (which I do often) I can output from the headphones output of the Volt into the mic input of my camera, then plug in my headphones into the camera's own headphone output. This works great because the headphone volume knob on there volt works as an additional amplifier to adjust the output volume *after* the compression. This would have been nice to have for the USB output too, as mentioned above with Final Cut.The Volt has of power so I can set the camera's built-in gain to the lowest setting and then overpower the camera's noisy preamps to keep noise low.Playstation compatibility:***(most people can ignore this)***This interface is *not* compatible with the Playstation 5 in case anyone is trying to record videos on that. But even with interfaces that ended up being compatible (elgato Wave XLR, Shure X2U), the PS5 seems to record audio in a super low bitrate and it's totally unusable if you want something that sounds nice. So I've switched to just recording my screen with a camera - worse image but audio is x10 better which for me is much more important. Plus manually coping recordings off the PS5 is a huge pain if you need to do it often. I could do screen recording with a second computer but I don't want a second monitor on my desk. Another option might be some professional recorders like the Atomos ones but I don't want to spend money on that right now.

Apenas acaba de llegarme,aún no la eh usado pero estéticamente es muy hermosa y la calidad de construcción es muy buena.

TL;DR: This audio interface is your trusty companion for music production, live streaming, and podcasting. It delivers superb sound quality, and its durability is unmatched.Review:Let's talk about this audio interface – it's been a game-changer for my music production, livestreaming, and podcasting endeavors. Whatever your audio project, this interface has your back.What sets it apart is the Vintage Mic Preamp mode. It's like a secret sauce that gives your vocals and instruments that warm, professional touch. You'll fall in love with the character it brings to your recordings.And that analog compressor? It's like having a studio-grade tool right at your fingertips. You can fine-tune dynamics and make your audio shine with clarity and punch.But it's not just about performance; this interface is built to last. It feels solid, like it's designed to be your recording partner for years to come.Now, let's address the elephant in the room – the price. Yes, it's a bit steeper than some competitors. But believe me, the quality and reliability you get are worth every penny. If you're serious about your audio work, it's an investment you won't regret.In a nutshell, this audio interface is a fantastic all-rounder. It brings versatility, top-notch sound quality, and rugged build to your recording setup.Pros: Versatile, perfect for music production, livestreaming, and podcasting. Vintage Mic Preamp mode for that pro touch. Analog compressor to enhance your audio. Built to withstand the test of time.Cons: It comes with a higher price tag, but the quality justifies the cost.And yes, it's a significant upgrade from my trusty Focusrite 2i2, especially for recording vocals and guitars.