Fun to fiddle about with. good sounds

Finally, a handheld chiptune drum machine. I know these have been around several years but I just got mine yesterday, so if you're like me and hesitant to buy it cause it looks too good to be true, pull the trigger. This little dude is worth every penny and more, I mean you can adjust the parameters of every sound and input them 2 ways, sequenced or live, and both work great, especially helpful that it syncs them with the beat when you input live notes. And don't get me started on the swing knob, that thing is super cool! Best little feature for sure. Also, I'm sure this is just me, but I love watching the LCD dude work the big sewing machine looking thing when it's playing.

Sent a message to merchant, still unresolved. Within the first few days it started crashing when trying to change volume or tempo. Teenage Engineering support is unhelpful, as it was purchased through a third party

This thing is amazing. The entire Teenage Engineering product line is unbelievable. The PO-12 is the perfect addition to my instrument collection. I use it for writing, recording and practicing music. When you put your mind to it, you can get some very interesting and progressive rhythms. When you start incorporating the PO-12 with other sequencers, rhythm machines and musicians, the options are infinite. I'll social distance wrestle anyone that disagrees. Haha!

So much fun! Perfect for my 12 yr old son who loves to mix beats. There are tons of super easy tutorials online and is easy to figure out how to use.

This is the quickest I've ever gotten up to speed on a synthesizer, and some of the most fun I've ever had with one... at the lowest price point! The PO-12 Rhythm Pocket Operator from Teenage Engineering is definitely packing a great deal of quality, versatility, and spontaneity into a very small package. Worth adding to almost anyone's arsenal. Even as a more-fun-than-drudgery metronome, it's worth the price of admission. But once you start chaining sequences together and playing with FX automation, it's flexibility and pizzazz start to shine. A truly excellent purchase for almost any musician or hobbyist, and I say that as someone who works as a professional musician and owns multiple much more expensive hardware and software synths

There are pros and cons to the Pocket Operators, but I think it's certainly more pro than con. So long as you know what you're getting, these things are FUN. With some help from an adult with YouTube tutorials, even children could be making some sweet beats in minutes. The Pocket Operators make great sounds and encourage you to make awesome freestyle jams. They may be the best thing on the market for playing with music.Pros:-Quick to use. Just install batteries and hit PLAY, funky beats come out of the built-in speaker. Hold down Pattern and hit 1-16 to try the 16 different loops. Hold FX and hit 1-16 to try different effects.-Love the design. Teenage Engineering is primarily a Japanese design company, and it shows. The Operators come in a paper box with a pull-tab down one side. The hanging loop on top gives it the look of some treasure you'd find tucked on a shelf in a hardware store. It looks like some 1980s pocket calculator. Funky oldschool design all the way. The little LCD display looks like an old electronic game, very neat.-Sound is incredible. Even if built-in speaker is clear and loud for what it is. The unit does distort at high volume, but if you want to output the sound leave the unit around 70% and use external gain.-Great range. You can change the BPM, volume, and parameters of all the included sounds. Add the FX, and there are tons of options. One filter can make everything sound 8-bit, another kicks up the bass to room-shaking levels. It's all there.-Syncs to a range of devices. The unit only inputs or outputs a click track, but this easily patches into the Korg Volca series and other units that have a customizable way to take an analog click track. You can also chain multiple POs, they'll all pass through the sound and click track to give you one output at the end. Love it for jam sessions.-The 16-step sequencer, with 16 sounds, and 16 effects, plus more. That's a lot to get in such an inexpensive synth. The closest competitor is probably Korg's Volga series, and one Volca may cost you as much as 2-3 POs while offering fairly similar experiences in terms of being able to put together immediately accessible jams. It's probably no coincidence that the PO can easily sync to the Korg Volca line.-Did I mention it has clock and alarm functions? In case you want this thing to wake you up with fresh beats, I guess.Cons:-The instructions in the packaging are useless. Look up a YouTube video immediately.-The screen doesn't actually give a lot of information. The main animation is mostly useless and barely relates to the sound in motion. Only a few of the icons really relate to your sound in progress. For instance, you can only tell if you're in RECORD mode because of one tiny little icon- that's easy to miss in play, which is a shame because the only real damage you can do to your loops is in RECORD mode so this should have a more obvious icon.-So many limitations that can frustrate people who know about music production, even if newcomers will never know they're missing a thing. Because there's no MIDI in/out, you can only get notes or melodies to play by twisting the parameter knobs. The sync track also won't share swing with other units, so you'll have to keep that in mind if you jam with multiple units chained. There are plenty more quirks to find in YouTube tutorials. Almost all these quirks are just things that someone with this as their only device will learn to play with, but if you're a real music producer you should check in-depth reviews before purchase.-For the price, they could probably put this in a plastic case. That's about my only complaint. The unit is so tiny, and it's a bare board, and it has such limitations- surely they could afford to either sell it a bit cheaper or put it in a case. The company does sell cases for about $30, but that jacks up the price of a Pocket Operator so high you might as well go for a Korg Volca. In the bare board form though, this is an okay deal. Plenty of people sell cheap 3d-printed cases online.Overall:In terms of only buying one unit to jam on, the Pocket Operators are about the most fun you can possibly have anywhere near this price point. High recommended as a gift for any music fan that loves to jam. Anyone who bothers looking up some tutorials will be making awesome songs in minutes. It's so neat to play with this thing. And it looks so cool, people will steal it out of your hands just to play with it.Which unit would I recommend out of all the POs? This Rhythm unit is really more of a drum machine, which some people need. It can make neat songs if you know a little about how to tweak the knobs, or it would be a fun backing for vocals or an instrument. If you need one unit for someone who already plays an instrument, or sings or raps, this is the one. The most complete unit to date is probably the 2x-series Arcade, which jams out 8-bit chiptunes (or, the kind of music you'd hear on old arcade machines). I'd recommend the Arcade for instance if someone wants to compose songs while riding the bus, assuming they like early videogame music. The next contender for a total unit apart from these two is the 3x-series KO, which lets you use samples- including things you record with the built-in microphone.Where to go from here? As said, this unit syncs both to other POs and to the Korg Volca series without much work, so it depends on how much money you have. Obvious connections in the PO line are the Sub, Tonic, KO, and Factory. The Korg Volca series makes an equivalent to pretty much all of those units- such as the Bass, Keys, and Sample. The click track syncs pretty well to almost any other synth that can output a click, so it should work in most environments. Not as recommended for people used to working with a PC(or DAW), as the lack of MIDI may hurt your work flow.

If I were allowed to swear I would. This device is brilliant. If I explain why I bought it you'll see what hole it fills.This is important as if you want something super basic this is not for you; if you want something with every bell and whistle out there, this is not for you eitther.Right, here we go:I have played on iPhone apps that allow you to sequence drum machines. They are fun but they all seem a little too basic and far off what a professional may use. They also do not 'feel' like a good stepping stone into music production. So I wondered what to go for. I checked out software first. There seemed to be lots out there ranging in price and complexity. I was reluctant to go out and buy some software that would just put me off for life. You know what I mean: you go and buy photoshop pro, try to draw a circle and find you have to spend four hours on Google to learn how to do it! I did not want the photoshop pro version of music sequencing; I did not want to have to boot up the computer sit at a table with a mouse (and possibly a keyboard) to get going. I wanted something the size of an iPhone that I could just grab and make music.Then along came this bad boy: the pocket operator. Before you read on check out YouTube to see what people have done with it. When you link it up with another (or even more) you can get some real professional music laid.How easy it is: I am gonna be honest. It was not intuitive for me. You can't just open it and get stuck in. I struggled to even play around to work out what things did. This may not be the case if you have experience of this sort of thing; the symbols (pun intended) may mean something to you. I was a little frustrated but remembered why I bought it. I wanted something a little more professional that a simple iPhone app. And that was gonna require a little learning.So I put the work in. If you have peace you can become proficient with its use in about an hour. You may need to refer back to the instructions to remind you how to do some if it but it is actually relatively simple. I would advice learning one function then spending a few minutes playing with it then moving on.The hard part is actually making a good track. But then if that was easy we would all be pop stars!The internal speaker is not brilliant but it is much better than I was expecting so don't let that put you off; with earphones its perfect. It takes two AA batteries and is constantly on. There is no off button but this does not matter. To my understanding most of the screen is just for show but some of it does help. All the LEDs near each button all mean different things depending on what you are doing. I found it a little confusing at first but quickly got the hang of it.So, if you are looking to put your foot in the water - get this; it is wicked. I was picking my wife up from somewhere the other day. I arrived early so killed 15 minutes in the car with the Operator, wrote a little track and smiled. Boom!I read that the Rhythm was was the best to get if you were just getting one. It is not just a drum machine; you can get melody on your tracks to.

Super fun and cheap drum machine. Jam on the bus, jam on the toilet, jam with your friends and sync them up.Some of the samples and effects sound cheap, but some sound surprisingly good for the price tag. The level of control you have over each sound is surprisingly deep.I do wish that it had a power switch and non-volatile memory. It lasts a LONG time on a pair of AAAs but there's always the danger of it starting to play beats in your pocket. And there's no way to really save your patterns indefinitely.I use a Korg SQ-1 to sync it with my Mother-32.

WOW! I have purchased many different types of electronic instruments in my life and i have to say this is about the funnest thing i have bought for less than the price of a cab ride in the city :D It's sound quality is actually really great, considering you would expect something of this price to have sub-par sounds :P The user manual is cryptic at best, but there's just enough in there to get you going and you can easily find great resources online from people who have had more time exploring this thing to really help you dive MUCH deeper than you can ever imagine. The unit looks flimsy, but it really is pretty well built even without it having any sort of protective case or shell on it. You can buy a rubberized protective case somewhat like an iphone or other cell phone case but honestly, if your cautious of where you store this thing, it should be just fine without it ie.... don't stick it in your back pocket and plop yur arse on a bench :P The effects on this thing are not only great, but the way they are implemented into the whole performance like fell allows for some pretty insane and really just random/hard to reproduce music moments that will really keep you hooked on playing with this thing for a long time. I'm the proud owner of a full fledged professional music production studio and this little puppy really can add more than just a "gimmick" bit of flavor to any serious producers pallet of sound design tools ;) Might have to get the other two now just to complete the set! :D